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・ Jonathan Clark House
・ Jonathan Clark Rogers
・ Jonathan Clarke (cyclist)
・ Jonathan Clarkson Gibbs
・ Jonathan Clay (musician)
・ Jonathan Clayden
・ Jonathan Clements
・ Jonathan Cleveland
・ Jonathan Club
・ Jonathan Coachman
・ Jonathan Coates
・ Jonathan Cochet
・ Jonathan Coe
・ Jonathan Coeffic
・ Jonathan Bradshaw
Jonathan Bragdon
・ Jonathan Brandis
・ Jonathan Branton
・ Jonathan Bratoeff
・ Jonathan Braun
・ Jonathan Breck
・ Jonathan Bree
・ Jonathan Breeze
・ Jonathan Brent
・ Jonathan Brewster
・ Jonathan Brewster Bingham
・ Jonathan Bridge
・ Jonathan Brison
・ Jonathan Brooker
・ Jonathan Brookins


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Jonathan Bragdon : ウィキペディア英語版
Jonathan Bragdon

Jonathan Bragdon is an American artist who has lived in the Netherlands since 1979. His work is represented in numerous international collections including the Stedelijk Museum.
Jonathan Bradon works and lives in the Netherlands.
==Life and work==
Bragdon attended University of Strasbourg in 1963 and then enrolled in the Ecole d’ Etudes Sociales et Pedagogiques, Lausanne, for art therapy in psychiatry in 1965.〔"(Jonathan Bragdon Biography )". Aurelscheibler.com. Retrieved on July 1, 2009.〕 After a summer interning at L’Hôpital Psychiatrique de Malèvoz and the sell-out of his first solo show at the Schuster Gallery, Cambridge, Massachusetts in September 1967, he decided to become a professional artist.〔“(Life Story )” bragdon.nl. Retrieved on July 1, 2009.〕 Bragdon moved to the Netherlands in 1989 and settled permanently after marriage.
“Bragdon’s rigorous examination of landscape becomes something akin to a struggle. He describes it as a “free fall” in which the discernable spatial arrangement of things and their objective denotation gradually fall apart. The outer world has become nothing but a loose network of possibilities that are ordered anew during the lengthy drawing process. “It is as if the existence of the landscape and myself come into balance ()”
This balance is embodied in the main characteristic of Jonathan Bragdon’s artwork – the simultaneousness of representation and abstraction that is evident on levels of production as well as reception. According to Dr. Dorothée Brill (Museum für Moderne Kunst, Frankfurt), “One moment the drawing appears to be a detailed depiction of each leaf, stem and stone; the next they dissolve into an abstract network of lines.” The observer is not offered a predetermined standpoint; rather, he is drawn into a vivid and pulsating dialogue with the work.
Executed in a range of media including graphite, watercolor, and ink, Bragdon’s drawings are fascinating works that bear a meditative quality despite their strong emotional impact.”〔“(Why I Think My Drawings Are Not a Waste of Time ) AurelScheibler.com. Retrieved on July 1, 2009.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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